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香港无线电视翡翠台短篇剧集，于1979年7月21日首播，共5集(每集一小时)。 早在本剧开始之前，易芳蓉已跟朱添盏订婚。易芳蓉一直希望朱添盏事业有成之后，两人便可结婚。 奈何，澳门与香港隔了一个伶仃洋，朱添盏却在香港另结新欢，由于当时通讯不发达，交通也不像今日的方便，易芳蓉就一直被蒙在鼓里。 直到有一天，易芳蓉突然到香港会晤男友，却遇上男友的新欢。她虽然很伤心，却留在朱添盏家中居住，以观察其男友朱添盏表现。 同时，房东的儿子庞刚焰亦从外地归来，却与其父之租客滕沙频起冲突，庞即欲赶滕迁离，结果闹出连场笑话。 另外，滕沙亦因蓉常帮助照顾其儿子，而对蓉生爱意。但庞刚焰渐对蓉起爱慕之情，一段三男一女，而又纠缠不清的关系最后又如何解决？。Herbert Vesely was one of the promises for a new German cinema already in the 50's, but after the 60's his star was already dimmed. He made a small number of films in the 70's and 80's, all non too good. This biography of Egon Schiele, one of the most important Austrian artists, is an example of the pretensions and emptiness of a Vesely-film of later date. The life of Schiele is presented here as a puzzle| well, Vesely thinks that Schiele's life was a puzzle: the core of the story is centered around the famous 1912 pornography trial and using this as base the film shows fragments of past and future. The problem is that it never becomes a unity and that the order of scenes and sequences seems to be at random: a cut-and-paste job that could have had any other result. Indeed, after seeing it twice I am almost convinced of it that a unsatisfactory linear thought-out film was changed into the puzzle in the editing room. Egon Schiele was an enigmatic man, but not a total puzzle, and this film does not bring him any closer. The films also fails in conveying the eroticism and meaning of the Schiele's paintings: the camera watches and glides over the models without any understanding of Schiele's intentions, we only see beautiful naked bodies. If interested in Schiele, you better buy a book with his works in stead.。