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陷入事业危机的猪猪侠拼尽全力想咸鱼翻身。事情因为他的努力而逐日改善，但不知不觉中，他已陷入黑暗乔伊的魔爪。 死灰复燃的黑暗乔伊失去了力量，如今，他为恢复自己的力量冒犯禁忌，不料错手放出被封印的魔物“时空魔像”。能够操纵时间和空间的两座魔像害世界大乱。猪猪侠和伙伴们为恢复世界和平与其展开死战。最终，猪猪侠成功消灭了敌人，但童话王国并未摆脱危机，因为黑暗乔伊竟把被打败的魔像吸入体内，获得远超过往的实力。尽管猪猪侠运用五灵王之力再次将他打败，但他还是逃进了异世界。 为彻底终结邪恶威胁，猪猪侠一行人决定远征异世界，誓要让童话王国永保和平。。Herbert Vesely was one of the promises for a new German cinema already in the 50's, but after the 60's his star was already dimmed. He made a small number of films in the 70's and 80's, all non too good. This biography of Egon Schiele, one of the most important Austrian artists, is an example of the pretensions and emptiness of a Vesely-film of later date. The life of Schiele is presented here as a puzzle| well, Vesely thinks that Schiele's life was a puzzle: the core of the story is centered around the famous 1912 pornography trial and using this as base the film shows fragments of past and future. The problem is that it never becomes a unity and that the order of scenes and sequences seems to be at random: a cut-and-paste job that could have had any other result. Indeed, after seeing it twice I am almost convinced of it that a unsatisfactory linear thought-out film was changed into the puzzle in the editing room. Egon Schiele was an enigmatic man, but not a total puzzle, and this film does not bring him any closer. The films also fails in conveying the eroticism and meaning of the Schiele's paintings: the camera watches and glides over the models without any understanding of Schiele's intentions, we only see beautiful naked bodies. If interested in Schiele, you better buy a book with his works in stead.。