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生活在未来世界的女明星言茉意外患上罕见血液病，唯一能救她的人是生活在现代的天才科学家顾琰之。言茉为了获取顾琰之的血液穿越到现代，她处心竭虑地想要接近顾琰之，却发现若想取得合格血液，必须让顾琰之体内产生情感因子。然而言茉在“教导”顾琰之如何恋爱的过程中，却与他互生爱慕，因此改变了两人各自的命运进程，引发蝴蝶效应，导致二人生命都即将走到尽头。顾琰之和言茉试图挽回局面，当一切在时光回溯中重新来过，二人发现爱情和生命只可取其一时，他们又该何去何从。。1948年的深冬，作家在41岁生日的晚上收到一封厚厚来信，此信出自一个濒死女人之手，所言是她对他将近20年的爱恋，但他却一无所知。 18年前，13岁的女孩爱上了住在隔壁的作家，因家变搬到了别处后，女孩并没对作家忘情。几年过去，女孩变成女学生回到原来的住处，如愿以偿与作家有了交往，但作家对眼前曾住在其隔壁的女学生没有任何印象。作家有事离开，自此音信全无，女学生在绝望的等待中生下她与作家的结晶，并为让孩子过上优越生活变作依附有钱男人的交际花。又过几年，女学生变成女人，再遇她深爱多年的作家时，对方仍没把她认出。。Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately| Syndicate Sadists is not the best examples of his work in this genre. Lenzi's crime flicks tend to be a cut above the rest because he makes films based on stories with a point, and they don't lack direction| but this film feels a bit too wayward to fully fit with the rest of his stuff. The film takes obvious influence from Sergio Leone's landmark western 'A Fistful of Dollars' (which in turn, took influence from Akira Kurosawa's landmark samurai flick Yojimbo), in that it features two warring families and a strong character at the centre. The crime that Lenzi focuses on is kidnapping, and we centre on a character called 'Rambo'. Rambo is dragged into the war between the two families after his brother is killed because of it. Rambo uses his brains and brawn to pit the two families against one another, in the hope of gaining revenge for his brother's death, rescuing a young boy that they've kidnapped, and ultimately letting the two sides destroy one another. The film's biggest asset is undoubtedly Tomas Milian. Milian was put to great use by Lenzi in almost all of his crime thrillers. The range of characters he has played for Lenzi is immense, and this one is easily one of the coolest. The character is called Rambo, which immediately sprang to mind the popular Sylvester Stallone character - but for once, the Italians actually haven't stolen this name as Syndicate Sadists was released first! As usual, the film is wickedly entertaining, as we get to watch Milian get himself involved in the usual array of car chases, shootouts and brawls. Lenzi has got him riding a motorbike this time round, and every scene featuring it and Milian is a real standout! However, the film often feels like it doesn't really have anywhere to go, and this means that the running time is stretched out more than it should be. Compared to the crime films of other Italian directors, Syndicate Sadists is more than above average| but in relation to Lenzi crime flicks such as Almost Human and The Cynic, The Rat and The Fist - it doesn't stand tall as one of Lenzi's best. Still, if you're looking for ninety minutes of testosterone fuelled mayhem - Syndicate Sadists will suffice!。